《生命》是由BBC制作的十集系列纪录片,从2009年10月12日开始在BBC电视台播出。本片制作共耗时四年,全部以高清方式摄制。每集50分钟,外加10分钟的拍摄花絮,总共60分钟。根据《泰晤士报》报道,本系列片耗资一千万英镑,不过BBC官方并未证实这一数字。2009年是达尔文诞辰二百周年,也是《物种起源》发表150周年。为了进行纪念,本片力图展现自然界缤纷物种的多样性,和它们为适应环境而进化出的各种神奇生存本领。
The movie tells the stories of nine girls from different parts of the world who face arranged marriages, child slavery, and other heartbreaking injustices. Despite these obstacles, the brave girls offer hope and inspiration. By getting an education, they're able to break barriers and create change. Written by Seventeen Magazine
两千年后的今天,人们再次从西安,世界文化遗产——丝绸之路的起点出发,沿着古文明遗迹一路探寻一路记录。
这部启发人心的剧情纪录片系列记录了摩西作为王子和先知等角色非凡的一生,并将神学家和历史学家的见解融入剧中。
《十大东北菜》纪录片循着黑土地的烟火气,探寻东北饮食文化的独特密码。这里有炖菜的温暖醇厚,汤汁翻滚间是食材交融的本真滋味;有炒菜的鲜香脆嫩,火候拿捏中藏着对风味的极致追求;还有烧烤的热烈奔放,烟火缭绕里满是豪爽与热忱。酸甜、咸香、酸辣等丰富滋味交织,不仅勾勒出东北人餐桌上的日常,更折射出这片土地上人们质朴、豁达的生活态度,每一道菜都是地域风情与人文故事的生动缩影,让观众在味蕾的共鸣中感受东北的独特魅力。
跨越明清两代、建成将近六百年的故宫,收藏着包括《五牛图》《清明上河图》在内的180多万件珍贵文物。历经百年沧桑,这些人类共同的瑰宝或多或少蒙上尘埃,破损不堪。从故宫博物院建院那一天起,一代又一代文物修复师走入紫禁城的红墙,通过他们化腐朽为神奇的妙手,将生命的活力重新注入一件件文物之中。木器、陶瓷、青铜、漆器、钟表、织绣、书画,不同的文物有着不同的特性,也有各自修复的难点。而这些修复师们甘于寂寞,甘于平淡,在与文物的对话中小心翼翼感受着来自古代的微弱的脉搏。文物有灵魂,有生命,它们和人类的内心大美紧紧相连。 当尘封的文物重新焕发夺目光彩之时,不应忘记那些平凡而伟大的匠人所为之付出的艰辛!
讲述Selma Blair确诊多发性硬化症后如何适应新的生活方式
影片讲述了三个不同年龄段的人孤独的故事。
从黑白到五彩从荧屏到掌心四十年,初心未改四十岁,我们正青春《光耀京华·北京电视文艺40年》 百名电视艺术家倾情讲述
The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image. In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
远古外星人十大发现