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环法自行车赛:逆风飞驰3

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怪奇物语:第一道阴影舞台剧幕后高清在线观看 - 星芒视讯_爆款影视极速追更免费看,韩剧美剧动漫爆款首播,院线爆款新片点播,4K 蓝光,爆款资讯实时更新
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怪奇物语:第一道阴影舞台剧幕后

评分:6.0

更新时间:02月13日

主演:谢恩·阿特沃尔,Rhys Bailey,Anika Boyle,Christopher Buckley,史蒂芬·戴德利,Faith Delaney,马特·达菲,罗斯·达菲,Sonia Friedman,麦克斯·哈伍德,Oscar Lloyd,贾斯汀·马丁,Louis McCartney,伊莎贝拉·帕帕斯,凯特·特雷弗里,Imogen Turner,帕特里克·维尔,Ella Karuna Williams

简介:

  With Stranger Things: The First Shadow launching its first preview performance tonight on Broadway, Netflix has announced Behind the Curtain: Stranger Things: The First Shadow.
  Follow the cast and crew as they race against time to prepare the ambitious, critically acclaimed West End stage play, which opened at London’s Phoenix Theater in December 2023.
  Stranger Things: The First Shadow is written by Kate Trefry (“Stranger Things”), based on an original story by “Stranger Things” creators the Duffer Brothers, Jack Thorne (Harry Potter and the Cursed Child), and Trefry.
  Serving as a standalone prequel to the hit Netflix series, the Olivier Award-winning play is directed by Stephen Daldry and co-directed by Justin Martin.

阅读量:666

年份:2025

怪奇物语:第一道阴影舞台剧幕后

主演:谢恩·阿特沃尔,Rhys Bailey,Anika Boyle,Christopher Buckley,史蒂芬·戴德利,Faith Delaney,马特·达菲,罗斯·达菲,Sonia Friedman,麦克斯·哈伍德,Oscar Lloyd,贾斯汀·马丁,Louis McCartney,伊莎贝拉·帕帕斯,凯特·特雷弗里,Imogen Turner,帕特里克·维尔,Ella Karuna Williams

情感的力量高清在线观看 - 星芒视讯_爆款影视极速追更免费看,韩剧美剧动漫爆款首播,院线爆款新片点播,4K 蓝光,爆款资讯实时更新
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情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

环法自行车赛:逆风飞驰3

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